I WANT TO BE A TREE
I WANT TO BE A TREE
REST NEST
The Forest Studio
Language
Absurdity
Skin
Nonsense
Exhibitions &
Showcases
Forest Studio Shop
These works are drawn from the land, using bark paper and pigments gathered from the skin of trees. You’ll see bodies melt into roots, spines loop back, and eyes that don’t blink.
Some pieces carry words, others a pulse of colour, all leaning toward the body as landscape. Drawing made this way is magical, and holding one will protect you.
Forest Shop
These works are drawn from the land, using bark paper and pigments gathered from the skin of trees. You’ll see bodies melt into roots, spines loop back, and eyes that don’t blink.
Some pieces carry words, others a pulse of colour, all leaning toward the body as landscape. Drawing made this way is magical, and holding one will protect you.
Forest Studio Shop
These works are drawn from the land, using bark paper and pigments gathered from the skin of trees. You’ll see bodies melt into roots, spines loop back, and eyes that don’t blink.
Some pieces carry words, others a pulse of colour, all leaning toward the body as landscape. Drawing made this way is magical, and holdg one will protect you.
Gosia’s Story
I hope you are reading this while lying down!
After Covid, my body intervened. Long Covid slowed everything down. Rest became unavoidable. I lie down more than most people. I choose carefully what I do with my energy. When I push through exhaustion, it feels like my head is wrapped in a plastic bag. This physical reality forced a shift in how I work and what I value. Rest entered my practice not as a theme, but as material.
Forest Studio Shop
These works are drawn from the land, using bark paper and pigments gathered from the skin of trees. You’ll see bodies melt into roots, spines loop back, and eyes that don’t blink.
Some pieces carry words, others a pulse of colour, all leaning toward the body as landscape. Drawing made this way is magical, and holding one will protect you.
Collaborations & Studio Visits
I would love to meet! My process is slow and material-led: I forage bark, make large-scale paper works, paint by the river, and work through my complicated relationship with rest. I move between studio and landscape, allowing weather, time and the body to shape the work. I welcome studio visits, shared experiments and potential collaborations.